Publications

ICE Publication Series

Internationalism and the Arts at the Fin de Siècle is a multidisciplinary book series published by Peter Lang  in collaboration with the ICE Research Network.

Download: ICE Series Flyer

Proposals for monographs, edited collections and anthologies of primary sources will be considered. For further details, please complete out Contact Form.

Relevant publications by research network members

Russia in BritainRebecca Beasley and Philip Ross Bullock, Russia in Britain 1880-1940: From Melodrama to Modernism (Oxford University Press, 2013).

 

 

 

 

 

Grace Brockington, Internationalism and the Arts (Oxford: Peter Lang, 2009).

 

 

 

 

 

 

InternationalismReconfiguredDaniel Laqua, ed., Internationalism Reconfigured: Transnational Ideas and Movements Between the World Wars (London: I.B. Tauris, 2011).

 

 

 

 

 

Daniel Laqua, The Age of Internationalism and Belgium, 1880–1930: Peace, Progress and Prestige (Manchester: MUP, 2013).

 

 

 

 

 

LaquaDaniel Laqua, ‘Exhibiting, Encountering and Studying Music in Interwar Europe: Between National and International Community’ in Carlos Reijnen and Marleen Rensen (eds), European Encounters: Intellectual Exchange and the Rethinking of Europe 1914-1945 (Amsterdam: Rodopi, 2014), pp. 207-223.

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Sarah Victoria Turner, “Henri Gaudier-Brzeska’s Wrestlers, 1914″, Tate InFocus Series (online, 2013): http://www.tate.org.uk/art/research-publications/gaudier-brzeska-wrestlers.

Sarah Victoria Turner, “Crafting connections : The India Society and the formation of an Imperial artistic network in early twentieth-century Britain”, in Susheila Nasta (ed.), India in Britain: South Asian Networks and Connections, 1858-1950 (Palgrave Macmillan, 2012): 96-114.

Sarah Victoria Turner, “Sex, Stone and Empire: Direct Carving and “British” Sculpture‘, in Penelope Curtis & Keith Wilson (eds.), Modern British Sculpture (London: Royal Academy, 2011): 100-105.

Sarah Victoria Turner, “Walter Crane and Hermann Obrist: craft, sculpture and transnationality at the fin de siècle”, Henry Moore Institute Online Papers and Proceedings (Henry Moore Institute, Leeds, 2010).

Sarah Victoria Turner, ‘Modernism and the Visual Arts’, in The Oxford Handbook of Modernisms (Oxford: Oxford University Press, 2010): 540-561.

Sarah Victoria Turner,  ‘The ‘Essential Quality of Things’ : E.B. Havell, Ananda Coomaraswamy, Indian Art and Sculpture in Britain, c.1910-14′, in Visual Culture in Britain, Vol. 11, No. 2 (2010): 239-264.

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